Starting with her own memories of working as an actress on Abbas Kiarostami's Ten, filmmaker Roya Akbari proceeds to elicit other testimonies on the masters of Iranian cinema from three people who are themselves among the foremost Iranian directors: Rafi Pitts on Parviz Kimiavi; Amir Naderi on Sohrab Shahid Saless; and Bahram Bayzai on Arby Ovanessian. Bayzai also analyses Haji Agha, the Cinema Actor (1933) by Ovanes Ohanian, considered the first feature film made in Iran.
Ouaga, the Capital of Cinema
Steve McQueen: The Essence of Cool
Stronger Than a Bullet
Roland Emmerich - Weltenzerstörer, Weltenerbauer
The Celluloid Closet
Tasmanian Devil: The Fast and Furious Life of Errol Flynn
Song of God
Nous, Jeunesse(s) d'Iran
We Remember Marilyn
American Coup
Fritz Lang, le cercle du destin - Les films allemands
Directed By Blake Edwards
